THE HERITAGE OF NAMIKI PENS – LIKE FATHER LIKE SON
The Heritage of Namiki Pens – Like Father Like Son
On the sequence preceding year 2001, a special collection of pens were made by Namiki. These are the Namiki Pink Sakura, the Namiki Goose & Pink, Namiki Dancing Beauty and Portuguese Tradeship (alias Sailing Boat).
The edition sizes were 62, 83, 75 and 73 pieces respectively with the last matching numbered set being 62. It was not easy to have all the 4 pieces to be in matching set as it took, literally, 3 years to have all the various pieces made and delivered to customers due to the immaculate detail in the making of these pens. Many customers have forgotten about their order and from hindsight, it appears that the wait is all worth the while now as there are very few sets of four that are in matching numbers.
A quick reference to the book The Fountain Pens of The World revealed an interesting evidence that all these pens were actually a reproduction of prototypes made in the early years
• Pink Sakura – reproduction of Vest Type, Raden Aogai-Pearl c. 1926
• Goose & Pink – reproduction of a prototype c. 1968
• Dancing Beauty – reproduction of Hagoromo c. 1926
• Sailing Boat – reproduction of Portuguese Tradeship by Ritsuzan c. 1931
They are all absolutely fabulous masterpieces that are not available now except in the Pilot / Namiki museum archive.
Namiki Pink Sakura
The reproduction of Namiki Pink Sakura was the most outstanding as it was made by then the Chief Kokokai 國光會Artist- Master Kyusai Yoshida (吉田久齋). Appreciating the pen as one rotates the pen in the hand, it is as if you are looking at the glitter of a kaleidoscope. Pearls and aogai shells cut in the shapes of hearts to form the outline of sakura were seen as if it was in the floating world.
Goose & Pink
On a roiro background, the Namiki Goose & Pink revealed the simple pleasure of seeing a cute gander looking smart and right facing the world. The outstanding creation of the goose using silver on its breast revealing details of the layers of feathers and the high relief taka maki-e lacquer on its torso is a pleasure to feel and touch.
It was the lowest priced pens then and was the first to be sold out. Nevertheless, you can find the original prototype Goose & Pink in Elephant & Coral Singapore, from which the limited edition 83 pieces Goose & Pink, were modelled and reproduced around 2001.
a. A Heritage of Maki-e Pens – The Briggs Collection (Book is available for sale at Elephant & Coral – click here )
b. Fountain Pens of The World by Andreas Lambrou.
To many collectors, there are various reasons why certain pens appeal to them. Specifically, when comes to colour, green is not the colour many will cast their eyes on it. Green is usually deeper in colour when comes to maki-e (so far, I have not seen lime green lacquer). It is not the first preference for many users or collectors because it doesn’t stand out.
In the case of the Namiki Dancing Beauty, I have always advocate it as the ugly duckling that turns into a beautiful swan; if only one knows and sees beyond what this pen means in the future. The resemblance of this pen to an antique 1926 design is no coincidence but shows the high level of appreciation of art during the golden age of fountain pens.
The slender figure of the dancer under the aogai inlaid cherry blossom tree has an intricate illustration of aogai pearl shells,taka maki-e high relief lacquer and detail exhibit of the beauty of the clad kimono. On close scrutiny, the green lacquer is not just pure green but sprinkles of aogai shells are visible within the lacquer.
Green lacquer is not only rare in many maki-e but also precious. Essentially, because many did not like it on first sight; few are being collected or in the hands of users. Isn’t this a perfect excuse to collect it? Beauty is always in the eye of the beholder….
The only Jumbo 50 Emperor size pen made by Namiki among the collection. Namiki Portuguese Tradeship (alias Namiki Sailing Boat) illustrated a huge majestic ship in the ports of the Bugafu government.
With the maru pun gold dust sprinkled lightly on the entire pen and togidashi maki-e to give it the archaic look, the artist attempted to create a hybrid of the East and West cultures to appeal to foreigners.
Today, more than a decade now, a full set of these 4 matching numbered pens are rare and precious due to many reasons. It’s intrinsic value of beauty and art is undeniably the most interesting by Namiki in its attempt to bring back beauty of fine writing instruments during the Golden Ages of Fountain Pens during the 1920s and 30s.
All pens viewed on this blog are available and you are most welcomed to enquire on its availability from Elephant & Coral Singapore. Contact: firstname.lastname@example.org or +65-6736-1322